![]() "What Degas Learned from Mantegna." Gazette des beaux-arts, 6th ser., 26 (July–December 1944), p. Edgar Degas: Nach Eigenen und Fremden Zeugnissen. "Degas as Seen in American Collections." Burlington Magazine 72 (June 1938), p. 149, as "Dancing-Girls Practising at the Bar". 145–46, publishes Ernest Rouart's account of his father's acquisition of this picture Rouart confirms that Degas wished to paint over the watering can but dismisses the story that the painting was kept chained to the wall. J, relates that Degas gave this picture to Rouart in exchange for one which the artist had retouched and spoiled, leading Rouart to keep this one padlocked. "Degas in the Havemeyer Collection." Metropolitan Museum of Art Bulletin 27 (May 1932), p. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art. Havemeyer Collection." Metropolitan Museum of Art Bulletin 25 (March 1930), p. Havemeyer Collection." Parnassus 2 (March 1930), p. 27, repeats Lemoisne's assertion that there are two versions of this picture. imbécile" (I do not think that the one who has done this work is a fool but I know well that the one who bought it at such a high price is an imbecile.). 4–5, states that Degas reacted to a journalist's request for comment on the high price paid for the picture in the Rouart sale by saying "Oui, je suis heureux comme un cheval de courses qui a gagné le Grand Prix" (Yes, I am as happy as a race horse who has won the Grand Prix) and "Je ne crois pas que celui qui a fait cet ouvrage soit un sot mais je sais bien que celui qui l'a acheté si cher est un. "Les mots de Degas." La renaissance de l'art français et des industries de luxe no. ![]() "Memories of Degas (conclusion)." Burlington Magazine 32 (February 1918), p. 150, relates Degas's reaction to the high price brought by this picture at the Rouart sale. ![]() "L'Atelier de Degas." L'illustration 76 (March 16, 1918), pp. 240, repeats the rumor that it was purchased by Mrs. "Art in France." Burlington Magazine 22 (January 1913), p. 83, notes that the price paid for this picture at the Rouart sale set a record high for a work by a living artist. "Modern Pictures at the Sale of the Rouart Collection." New York Tribune (December 15, 1912), p. 5, reports various unconfirmed rumors regarding the Rouart sale, including that Durand-Ruel "received an unlimited commission from an American woman collector" to bid on this painting and that the buyer was Mrs. "Rouart Sale Echoes." American Art News 11 (December 28, 1912), p. XXVIII, dates it 1877 incorrectly identifies the medium as tempera states that two versions exist, one in the Rouart collection and a replica with variations in the Havemeyer collection. December 24, 1912, relates Degas's comments regarding the medium and care of this painting. "Degas." L'art et les artistes 7 (April–September 1908), ill. Modern Art, Being a Contribution to a New System of Aesthetics. 5, states that Rouart prevented Degas from retrieving this picture for revisions. Henri Rouart." Les Arts 1 (June 1902), p. 423, considers it perhaps the finest of Degas's ballet pictures. "Degas: The Painter of Modern Life." Magazine of Art 13 (October 1890), p. "Les intransigeants et les impressionnistes: Souvenirs du salon libre de 1877." L'artiste 2 (November 1, 1877), pp. ![]() "Causerie artistique: L'Exposition des "impressionnistes"." La Revue politique et littéraire 44 (April 28, 1877), p. "L'Exposition des peintres impressionnistes." Le temps (April 22, 1877), p. "Exposition des impressionnistes: 6, rue Le Peletier 6." La Petite république française (April 10, 1877), p. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. "Degas in the Metropolitan," February 26–September 4, 1977, no. "The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue. "Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971, no. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat. 57 (as "Dancers Practising at the Bar "). Havemeyer Collection," March 10–November 2, 1930, no. "3e exposition de peinture ," April 1877, no. ![]()
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