And to a certain extent, it feels ridiculous to be saying those things when you’re 37. Like, you need to find the right position. “It’s interesting,” he continued, “even sex can cause pain. I’m experimenting a bit with different kinds of exercises – some are dangerous, some are necessary.” “I’m getting old, and I have a bit of a back problem, and this has suspension in the back. He was wearing a black T-shirt and jeans cuffed for the bike. So I was surprised when he rolled up to our breakfast on one of those weird little folding bikes, in startup blue, and a helmet. It’s a recognisable Berlin type, the beautiful man speeding past on a lithe French bike, and indeed I’d felt lucky when I saw Rogowski in that role once a few years ago, darting around a corner in Kreuzberg. “It inspired me to rewrite the end of the film with Franz as the kamikaze bike rider that he is.” “He would always arrive out of breath on a bike, like, jumping a curb,” Sachs told me. This was how, more or less, Rogowski would show up to meetings with Sachs during the making of the film. Maybe there are tears glistening in his eyes, but he is also free. The final shots of the film show Tomas riding, skillfully but recklessly, with the energetic physical control Rogowski brings to pretty much every part he plays, through the streets and sidewalks of Paris. His response is to get on his beat-up vintage racing bike and go. Bereft, on his knees, wearing a ridiculous outfit, he is hunched and suffering in the hallway of the grade school where Agathe works - he has interrupted her class to make his doomed entreaty – when a brusque employee shoos him away. Discussing his work and himself after the release of Passages, Franz Rogowski talks about the traps of selves both real and performed Franz Rogowski wears PAUL SMITH AW23 throughoutĪt the end of Ira Sachs’ 2023 film Passages, the protagonist, Tomas, played by the German actor Franz Rogowski, endures two brutal, entirely deserved rejections by both his soon-to-be-ex-husband, Martin, and his estranged lover, Agathe.
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